I liked The Invitation - at least much more than The Sacrament which had a similar theme. Interesting that two of the better anglo horrorfilms lately (this and Babadook) have come from female directors using horror to make films about people's inability to deal with grief.
The new French-English mad cabdriver thriller Night Fare was a lot of fun with a cool synth-score, some giallo inspiration and a really dumb ending.
Have also seen the Wolf Creek tv-drama which was awful but might appeal to people who like stuff like Twilight and The Walking Dead.
Whether to Jason of Philaflava or John Podesta, I will speak my fucking perspective openly
- MB
Under the Shadow is superb. It doesn't earn any cool-points from me for being Iranian - it's just an excellent horrorfilm period. The scares really test your nerves and the last half hour is just intense as hell. You rarely get atmosphere this good in a horror but you have to pay attention or don't bother seeing it.
This has been the best year for horror since 2010 at least (Secuestrados, Sprski Film, Cold Fish, We Are What We Are, etc). Horror has been really weak with a few exceptions in the recent past. Babadook, It Follows, Goodnight Mommy, Under the Skin, Livide, Maniac, Amer 2 and maybe a handful more I can't remember now have been really great.
This year so far I count six more or less perfect horrorfilms:
- The Witch
- Under the Shadow
- The Neon Demon
- The Wailing
- Train From Busan
- The Green Room
There's still a few that could join the list if they become available.
Whether to Jason of Philaflava or John Podesta, I will speak my fucking perspective openly
- MB
Yeah thats a great trailer but I'm curious if they are keeping Pennywise hidden & silent in it because they are hiding a weakness or if maybe they are just keeping it under wraps intentionally to avoid unnecessary internet backlash based off a few minutes of film (which would actually be pretty smart).
I'm pretty divided on this, the original has obvious room for improvement because of its shitty ending and from a technical standpoint the new one should be a lot better (film budget vs tv mini-series budget).
But Tim Curry's performance in the OG is so iconic and perfect that it's going to be hard not to shit on it. I'm not familiar with the new guy playing him at all though.
Wish Cary Fukunaga had stayed on to direct this.
i loved IT the miniseries but can't get excited about this reboot. am i supposed to be creeped out by this young clown actor with a giant forehead? why did they make his forehead so huge? it looks ridiculous not scary.
It's been years since I last watched it, but I remember it being just ok. Honestly find Tarsem Singh's movies rather hollow and lacking any real substance. Sure, he has a very interesting visual style, but the films themselves are rather mediocre. J Lo was still trying to be taken as a serious actress back then, too.
I really liked it when it came out but haven't watched it in a decade probably. My biggest memory of it was watching it in some girl's basement and her dad caught us messing around, except he was inexplicably more pissed at the fact that we rented a fucked up R-rated film than he was at me having his teenage daughters tits out.
I think The Fall is a great movie although admittedly I'm a sucker for adult fantasy films seen through the eyes of a child (Pan's Labyrinth, Paperhouse, A Little Princess....Mirrormask too although to a lesser extent).
I thought Tarsem was going to be a much better director based off his first two movies but he's fallen the fuck off. Didn't even bother watching his last two.