Best Crooklyn Dodgers joint?
Moderators: TheBigSleep, djfilthyrich
Best Crooklyn Dodgers joint?
Masta Ace, Special Ed, Buckshot & ATCQ production
vs
Chubb Rock, OC & Jeru on a Primo beat
Is one better than the other? I cant call it. I feel 'Return...' is up there with Primo's best beats but Ace/Ed/Buck might have the edge on the lyrics.
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Im aware of that 9th Wonder version from a few years ago with Memph Bleek, Mos Def & Jean Grae but I think we can all agree its not fucking with these two.
vs
Chubb Rock, OC & Jeru on a Primo beat
Is one better than the other? I cant call it. I feel 'Return...' is up there with Primo's best beats but Ace/Ed/Buck might have the edge on the lyrics.
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Im aware of that 9th Wonder version from a few years ago with Memph Bleek, Mos Def & Jean Grae but I think we can all agree its not fucking with these two.
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If someone had've hooked up a 'Crooklyn Dodgers' album back in the day it might've been the best thing ever
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Jeru was definitely at his peak around that time. Shame he didnt jump on a few more tracks. OC's verse is good aswell and Chubb Rock kinda came back out of nowhere from what I remember.
I heard someone say they shouldve got Biggie on that but I dont think he'd have sounded right alongside the others, and dont think he'd have come with the right lyrical content.
Ace, Buckshot & Special Ed all compliment each other really well - they sound as cohesive as some real groups. The beat is more subtle on their joint though. Primo's is the type of beat where you'd struggle to sound wack over something that good.
I heard someone say they shouldve got Biggie on that but I dont think he'd have sounded right alongside the others, and dont think he'd have come with the right lyrical content.
Ace, Buckshot & Special Ed all compliment each other really well - they sound as cohesive as some real groups. The beat is more subtle on their joint though. Primo's is the type of beat where you'd struggle to sound wack over something that good.
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Return...
Bad Cop mixes & music: https://www.mixcloud.com/badcop/" onclick="window.open(this.href);return false; & http://soundcloud.com/bad-cop" onclick="window.open(this.href);return false;
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1st one every time. Just think about how many times the lines have been sampled. Plus that beat is damn near perfect ATCQ.
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Heres a blend I made a while ago using the 'Return...' beat and the 'Bridge 2001' acapella
http://djstepone.blogspot.com/2009/04/c ... -step.html
http://djstepone.blogspot.com/2009/04/c ... -step.html
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had this on my laptop for a while now (probably since when you did it), works nicely!step one wrote:Heres a blend I made a while ago using the 'Return...' beat and the 'Bridge 2001' acapella
http://djstepone.blogspot.com/2009/04/c ... -step.html
Im gonna drop a few new blends soon I think. You done much with those Wu Tang & Biggie bits I sent you?vaporized2 wrote:had this on my laptop for a while now (probably since when you did it), works nicely!step one wrote:Heres a blend I made a while ago using the 'Return...' beat and the 'Bridge 2001' acapella
http://djstepone.blogspot.com/2009/04/c ... -step.html
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Too obvious to say apples and oranges? Pt. 2 is more of a posse cut; the emcees go for theirs while keeping the Brooklyn references impressionistic at best, whereas the originalגs rhymes are more BK-specific (as per Thun). Each serves their respective film very well. Can neither say which is better nor which I like more. Dope, both.
On second thought, I change my mind. Both songs have impressionistic and factual-literal allusions used to good effect.aleph wrote:Too obvious to say apples and oranges? Pt. 2 is more of a posse cut; the emcees go for theirs while keeping the Brooklyn references impressionistic at best, whereas the originalגs rhymes are more BK-specific (as per Thun). Each serves their respective film very well. Can neither say which is better nor which I like more. Dope, both.
I think I prefer the first one because its structure makes the rapping seem more interactive between the vocalists.
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Damn, exposed as a lazy-ass again. I was relying on my spotty memory of the two songs. Part 2's more rapid-fire perfs deceived me into remembering that they were more lyrical mission-type verses, and Buckshot's reference to playing hot peas & butter in the og is burned in my brain. Listening to part 2 after the fact I'm amazed how they were able to condense their Brooklynisms so concisely and vividly in one verse each. I still love em both equally tho.
Take all my recollections with a grain of salt from now on.
Take all my recollections with a grain of salt from now on.
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It's all good, I made the same mistake but when I relistened my claim fell apart.aleph wrote:Damn, exposed as a lazy-ass again. I was relying on my spotty memory of the two songs. Part 2's more rapid-fire perfs deceived me into remembering that they were more lyrical mission-type verses, and Buckshot's reference to playing hot peas & butter in the og is burned in my brain. Listening to part 2 after the fact I'm amazed how they were able to condense their Brooklynisms so concisely and vividly in one verse each. I still love em both equally tho.
Take all my recollections with a grain of salt from now on.
Wheres Mike Nice at these days?Thun wrote:I would tackle it but I feel like someone who is actually from the east ny-brownsville-bed stuy-flatbush greater area would be able to shed a lot more light. Anybody here fit that description?
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