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midnite i grade - jubilees of zion
Jubilees of Zion (Midnite Roots, 2000)
I hate to say that Jubilees of Zion is the weakest of Midnite's first 3 albums, because people might infer that it is a poor set, but that is far from the truth. In fact, this is an excellent album that maintains the group's rich sound. It's just that the songs aren't quite as consistently classic as they are on Ras Mek Peace and Unpolished (but they're damn close). Thus, it took me the longest time of the 3 to get into this album. Midnite returned to St. Croix to record Jubilees of Zion for their own label, but it seemingly doesn't matter where and for whom they record; they come through under any circumstances. The first 4 songs on the album in particular sparkle with Midnite's uniquely engrossing style. The title track is a mournful, wailing gem, while "Ras to the Bone" is slow and fun-kay, and "Better Ram Sound" may be my favorite tune from the group through their first 3 albums. "Ring Out a Chant" and "Earth Crisis Now a Rasta" highlight the remainder of Jubilees of Zion, but as with the other two albums, you could close your eyes, pick a song, and be assured that you'll hear something good.
and reviews of the other two classic midnite albums
Unpolished (Rastafaria, 2001 [orig. released 1997])
Once again, wow. If you thought that Ras Mek Peace and Jubilees of Zion were flukes, check out Unpolished. It is every bit the equal of these other works. Although it was released widely to the public on the Rastafaria label in 2001, it is actually Midnite's debut album (and one of the few that is fairly widely available). At the risk of sounding repetitive, once again everything hits on all cylinders here: vocals, lyrics, music, everything. Some people may prefer Unpolished over Ras Mek Peace because the sound is a bit more crisp, but as far as overall quality, it's a toss-up. In any event, I can see how someone could choose any song on Unpolished as their favorite on the album; it is that balanced. My personal favorites are "Kaaba Stone," "Mama Africa," and "Love the Life You Live," which has the feel of an enduring classic. Midnite's first 3 albums form a triumvirate as impressive as any trio of albums in the history of reggae, and the group has single-handedly set a bold new standard for modern roots.
Ras Mek Peace (Wildchild!, 1999)
Only one word comes to mind when I listen to Ras Mek Peace: wow. It is an unadulterated and woefully overlooked classic of modern roots and has immediately become one of my all-time favorites. Originally formed in the Virgin Islands in 1989 (St. Croix, to be precise), the quintet Midnite has been based in Washington, DC since '93 or so. As listed on the cover, the subtitle of this album is "Before Reverb & Without Delay," which indicates the simplicity of the recording process -- utilizing only one vocal track and one instrumental track and few if any of the standard engineering techniques that are supposed to make things sound "professional." As such, the sound might not be quite as crisp as Midnite's later work, but it's not so raw as to be distracting. In fact, it adds to the organic feel of the band's music. It's hard to explain Midnite's appeal beyond just stating that they're friggin' great. Everything on Ras Mek Peace in on target. Lead singer Vaughn Benjamin's voice is a distinct blend of styles, including Freddie McGregor's smoothness, Winston Matthews' (of the Wailing Souls) emotional wail, Michael Rose's twang, Israel Vibration's righteousness, and Mutabaruka's sociopolitical viewpoint. His lyrics are unique, intelligent, and thoughtful, as evidenced by "Hieroglyphics" (in which graffiti is compared to ancient hieroglyphics) and the wicked wordplay of "Banking in the Pig." The closest group to which I can compare Midnite's overall sound is probably the short-lived Misty In Roots; both perform a curious, melodic mix of polished yet edgy roots. As for Ras Mek Peace, every single track is good, though, my favorite being "In the Race So Far." Any roots fan owes it to themselves to check this out.