Pound For Pound The Best Hip-Hop Group of All-Time
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- Brougham33
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good to see that after making a few good points earlier in the thread you're back to talking complete bullshit.Mindbender Futurama wrote:Yeah, but that was really one of Primo's best productions in years for him. He needed to not be lazy, which he became after GURU left. Dude made 2 bar loops with a signature kick and drum texture. If we were lucky we'd get a 4 bar loop. Primo made good music for Christina Aguilera.Thun wrote:Primo made beats for Christina Aguilera for christ sake.
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ONLY BUILT FOR zSHARE LINKS
http://www.djstepone.blogspot.com
http://www.djstepone.blogspot.com
That beat was the ill shit (nh).Mindbender Futurama wrote:Yeah, but that was really one of Primo's best productions in years for him. He needed to not be lazy, which he became after GURU left. Dude made 2 bar loops with a signature kick and drum texture. If we were lucky we'd get a 4 bar loop. Primo made good music for Christina Aguilera.Thun wrote:Primo made beats for Christina Aguilera for christ sake.
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- EMCEE DARTH MALEK
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When I think of all the stuff digital underground did, their legacy w/e, I think of 'i get around' too. Not the rest of that album obv. When it's the same group of people making the same type of music in the same studio during the same recording sessions, I really do feel that it's arbitrary to classify the music based on whose name is on the jewel case. Not tryna say this so wu tang beats outkast (i voted for tribe anyway)
Premo made 5 or 6 beats for christina and they're pretty dope, but not his best stuff in years. Almost every time I heard a new premo beat, be it with AZ, NYGz, big shug, shit they're all dope. I still bump this one track by some dude ali vegas just cause of premo's beat & scratching on it. Premo's still got it and even if he's not at his peak he's still putting out incredible material so im not mad.
Im 22 I first heard on tribe in high school and everyone I know in van who's into hip hop at all knows them. Electic relaxation and scenerio are popular with people my age.
Premo made 5 or 6 beats for christina and they're pretty dope, but not his best stuff in years. Almost every time I heard a new premo beat, be it with AZ, NYGz, big shug, shit they're all dope. I still bump this one track by some dude ali vegas just cause of premo's beat & scratching on it. Premo's still got it and even if he's not at his peak he's still putting out incredible material so im not mad.
Im 22 I first heard on tribe in high school and everyone I know in van who's into hip hop at all knows them. Electic relaxation and scenerio are popular with people my age.
1. Nas
2. Drake
that's pretty much it fam.
2. Drake
that's pretty much it fam.
- The Ivy League Nigga
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Serious question for all the Tribe and De La fans:
When talking about each groups influence, how do you separate and distinguish their influence on each other?
I was pretty young when they first debuted, but when I listen to People's Instinctive Travels it sounds really heavily influenced, almost derivative, of 3 Feet. And when I listen to De La later work it sounds pretty heavily influenced by Tribe's stuff.
Granted, I'm not a hardcore fan of either, though I do own and am familiar with most of their stuff. Any of you guys who were more musically aware 20 years ago care to tell me why I'm a stupid faggot new-jack?
When talking about each groups influence, how do you separate and distinguish their influence on each other?
I was pretty young when they first debuted, but when I listen to People's Instinctive Travels it sounds really heavily influenced, almost derivative, of 3 Feet. And when I listen to De La later work it sounds pretty heavily influenced by Tribe's stuff.
Granted, I'm not a hardcore fan of either, though I do own and am familiar with most of their stuff. Any of you guys who were more musically aware 20 years ago care to tell me why I'm a stupid faggot new-jack?
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You don't think that "Stakes Is High" is also an incredible album?I Drive A Lexus wrote:This is gonna have to be a 3-way tie between De La, OutKast and Public Enemy for me. 3 incredible albums back-to-back before a flawed but pretty good 4th and a vast downfall with the 5th
1. Intro
2. Supa Emcees
3. The Bizness
4. Wonce Again Long Island
5. Dinninit
6. Brakes
7. Dog Eat Dog
8. Baby Baby Baby Baby Ooh Baby
9. Long Island Degrees
10. Betta Listen
11. Itzsoweezee (H.O.T.)
12. 4 More
13. Big Brother Beat
14. Down Syndrome
15. Pony Ride
16. Stakes Is High
17. Sunshine
Tracks 5 through 10 is a pretty weak stretch. Those 10 tracks in bold represent 43 minutes worth of great music, though.
"Sunshine" is okay. It suffers from a weak refrain, but the verses are dope.
I voted for Public Enemy, but I just as easily could have chosen De La Soul.
Tweak Da Leak wrote:My nigga Poppabitch fucks with the swine?
- The Frankest
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- Career Over Like Mike(NJJ)
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Nah. The lack of Prince Paul production, and their REAL HIP HOP!!!! grumpiness meant they lost what what made them special.Roy Johnson wrote: You don't think that "Stakes Is High" is also an incredible album?
There's some incredible songs on there (Stakes Is High, The Bizness, Supa Emcees) which manage to overcome the aforementioned obstacles, but it just wasn't the same.
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dinninit and especially dog eat dog are both excellent...doves verse on dog eat dog might be the best on the record...i dont know why so many people hate on this album when comparing it to the rest of their catalog...i think its their second best...yes better than BMSRoy Johnson wrote:You don't think that "Stakes Is High" is also an incredible album?I Drive A Lexus wrote:This is gonna have to be a 3-way tie between De La, OutKast and Public Enemy for me. 3 incredible albums back-to-back before a flawed but pretty good 4th and a vast downfall with the 5th
1. Intro
2. Supa Emcees
3. The Bizness
4. Wonce Again Long Island
5. Dinninit
6. Brakes
7. Dog Eat Dog
8. Baby Baby Baby Baby Ooh Baby
9. Long Island Degrees
10. Betta Listen
11. Itzsoweezee (H.O.T.)
12. 4 More
13. Big Brother Beat
14. Down Syndrome
15. Pony Ride
16. Stakes Is High
17. Sunshine
Tracks 5 through 10 is a pretty weak stretch. Those 10 tracks in bold represent 43 minutes worth of great music, though.
"Sunshine" is okay. It suffers from a weak refrain, but the verses are dope.
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I think thatd be extremely hard to distinguish, but youre right. The influence of both on each other is undeniable.The Ivy League Nigga wrote:Serious question for all the Tribe and De La fans: When talking about each groups influence, how do you separate and distinguish their influence on each other?
- Career Over Like Mike(NJJ)
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What I dislike about "Dinninit" and "Dog Eat Dog" are the refrains, but yeah, it's hard to find a wack verse on their 4th LP.clark bent wrote:dinninit and especially dog eat dog are both excellent...doves verse on dog eat dog might be the best on the record...i dont know why so many people hate on this album when comparing it to the rest of their catalog...i think its their second best...yes better than BMS
Tweak Da Leak wrote:My nigga Poppabitch fucks with the swine?
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Said this before, but seriously if De La had made another album more in line w/the previous 3, people wouldnt be talking about the 4th AT ALL.I Drive A Lexus wrote:Nah. The lack of Prince Paul production, and their REAL HIP HOP!!!! grumpiness meant they lost what what made them special.
They HAD to change. Why hold that against them if the music was good?
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Probably for the same reason the under 30 sect get into the Geto Boys - how ubiquitous their music has become in film, on television and other mediums. Thanks to the internet, kids can looks these songs up and, well, download them.The Afronaut wrote:One reason I find this hard to believe is because Outkast has made music post 98...How do people under 30 get into Tribes back catalog w/out even knowing who the hell they are?Thun wrote:I have never met anyone under the age of 30 black, white, brown or whatever, male or female, who was familiar with Outkasts's first three albums.
Believe it or not, Tribe still has a pretty large cult following among younger music fans, a following that digs into their back catalog. The same is simply not true about Outkast.
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I can recall fiending for a Mos Def solo LP right around '96 on the strength of "Big Brother Beat", the "Stakes Is High" remix, and his stuff on the Bush Babees "Gravity" LP. I'd grow to despise him soon enough, but man, there was a period of time when I was really eager to hear more material.I Drive A Lexus wrote:I like Dinninit and Dog Eat Dog too.
Big Brother Beat is the one i find absolutely intolerable.
Tweak Da Leak wrote:My nigga Poppabitch fucks with the swine?
- Career Over Like Mike(NJJ)
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60% Mos Def, 40% boring production.clark bent wrote:wild guess that somewhere above 99% of that hate stems from mos defs inclusion on that track
There's a difference between change and regression.The Afronaut wrote:They HAD to change.
This argument has been done to death, though, so let's not go through it all again.
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Is it really so many people or just that Thun (who is more interested in reclamation projects) has led a children's crusade of people on here who parrot him about Stakes is High?clark bent wrote:i dont know why so many people hate on this album when comparing it to the rest of their catalog
I've never heard anybody hate on this album in real life. There are couple dinosaurs out there who like to trot out Buhloone (easily the sexiest pick for those neck deep in true skool impression management) when begrudgingly acknowledging the dopeness of Stakes, but even those people don't really try to claim the album sucks off of

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yeah i was speaking of this place...i also know no one who dislikes stakes and i wont say i dont know any but i cant think of a person who thinks buhloon is their best...altho i begrudge no one who doesPopeyeJones wrote:I've never heard anybody hate on this album in real life. There are couple dinosaurs out there who like to trot out Buhloone (easily the sexiest pick for those neck deep in true skool impression management) when begrudgingly acknowledging the dopeness of Stakes, but even those people don't really try to claim the album sucks off ofclark bent wrote:i dont know why so many people hate on this album when comparing it to the rest of their catalog
battlecatmeowstab212 wrote:Probably for the same reason the under 30 sect get into the Geto Boys - how ubiquitous their music has become in film, on television and other mediums. Thanks to the internet, kids can looks these songs up and, well, download them.The Afronaut wrote:One reason I find this hard to believe is because Outkast has made music post 98...How do people under 30 get into Tribes back catalog w/out even knowing who the hell they are?Thun wrote:I have never met anyone under the age of 30 black, white, brown or whatever, male or female, who was familiar with Outkasts's first three albums.
Believe it or not, Tribe still has a pretty large cult following among younger music fans, a following that digs into their back catalog. The same is simply not true about Outkast.

Linkage?
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I to only know a few people who say Buhloone is their best album, but it definitely gets brought up in that "just so everyone knows I have good taste and am super authentic" way a lot when talking about de la. It's just the sexiest album to talk about, which isn't really a good thing or a bad thing IMO.clark bent wrote:yeah i was speaking of this place...i also know no one who dislikes stakes and i wont say i dont know any but i cant think of a person who thinks buhloon is their best...altho i begrudge no one who doesPopeyeJones wrote:I've never heard anybody hate on this album in real life. There are couple dinosaurs out there who like to trot out Buhloone (easily the sexiest pick for those neck deep in true skool impression management) when begrudgingly acknowledging the dopeness of Stakes, but even those people don't really try to claim the album sucks off ofclark bent wrote:i dont know why so many people hate on this album when comparing it to the rest of their catalog
edit: for real. people under 30 like geto boys? must have missed that.
Stakes Is High doesn't suck, but it is A) widely misinterpreted and b) very similar in sound to Craig Mack's "Funk Da World" which is really a huge step down from their previous efforts.PopeyeJones wrote:Is it really so many people or just that Thun (who is more interested in reclamation projects) has led a children's crusade of people on here who parrot him about Stakes is High?clark bent wrote:i dont know why so many people hate on this album when comparing it to the rest of their catalog
I've never heard anybody hate on this album in real life. There are couple dinosaurs out there who like to trot out Buhloone (easily the sexiest pick for those neck deep in true skool impression management) when begrudgingly acknowledging the dopeness of Stakes, but even those people don't really try to claim the album sucks off of
True, and I imagine that its become the sexiest one to claim as a favorite because 3ft High and Rising is a cult classic for the NPR crowd, De La Soul is Dead is the go-to choice for municipal workers and security guards, and Stakes Is High is the Bible for backpackers.PopeyeJones wrote:It's just the sexiest album to talk about, which isn't really a good thing or a bad thing IMO.
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would love to curl up to an actual facts magnum opus on "A."Thun wrote:Stakes Is High doesn't suck, but it is A) widely misinterpreted and b) very similar in sound to Craig Mack's "Funk Da World" which is really a huge step down from their previous efforts.PopeyeJones wrote:Is it really so many people or just that Thun (who is more interested in reclamation projects) has led a children's crusade of people on here who parrot him about Stakes is High?clark bent wrote:i dont know why so many people hate on this album when comparing it to the rest of their catalog
I've never heard anybody hate on this album in real life. There are couple dinosaurs out there who like to trot out Buhloone (easily the sexiest pick for those neck deep in true skool impression management) when begrudgingly acknowledging the dopeness of Stakes, but even those people don't really try to claim the album sucks off of
Seriously.
(

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BMS is my least favorite of the four, but 93-94 is my favorite De La period, all things considered.PopeyeJones wrote:I to only know a few people who say Buhloone is their best album, but it definitely gets brought up in that "just so everyone knows I have good taste and am super authentic" way a lot when talking about de la. It's just the sexiest album to talk about, which isn't really a good thing or a bad thing IMO.
Breakadawn (De La Soul Remix)
Ego Trippin' (LA Jay Mix)
She Fe MCs w/ ATCQ
Stix & Stonz w/ Grandmaster Caz & Prince Whipper Whip
Lovely How I Let My Mind Float w/ Biz Markie
Fallin'
Tweak Da Leak wrote:My nigga Poppabitch fucks with the swine?
Most likely dropping next week.PopeyeJones wrote:would love to curl up to an actual facts magnum opus on "A."Thun wrote:Stakes Is High doesn't suck, but it is A) widely misinterpreted and b) very similar in sound to Craig Mack's "Funk Da World" which is really a huge step down from their previous efforts.PopeyeJones wrote:Is it really so many people or just that Thun (who is more interested in reclamation projects) has led a children's crusade of people on here who parrot him about Stakes is High?clark bent wrote:i dont know why so many people hate on this album when comparing it to the rest of their catalog
I've never heard anybody hate on this album in real life. There are couple dinosaurs out there who like to trot out Buhloone (easily the sexiest pick for those neck deep in true skool impression management) when begrudgingly acknowledging the dopeness of Stakes, but even those people don't really try to claim the album sucks off of
Seriously.
()
- Career Over Like Mike(NJJ)
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Give me a fuckin' break here.
Plenty of people in NY gave Stakes.. a stinkface when it dropped. Maybe not quite a stinkface of the caliber that Beats, Rhymes & Life got, but no Prince Paul was what initially turned a lot of people off (the key factor for me), and it was a particularly wearing listen in the same way that the KRS album from the previous year was.
Plenty of people in NY gave Stakes.. a stinkface when it dropped. Maybe not quite a stinkface of the caliber that Beats, Rhymes & Life got, but no Prince Paul was what initially turned a lot of people off (the key factor for me), and it was a particularly wearing listen in the same way that the KRS album from the previous year was.