Employee wrote:Is your brain wooden like your dirty British teeth?
When the effword did "wildly overrated" become synonymous with "GETZ PLAY AWN DAH RAYDEOH LYKE TAYLAH SWIFHTZ"?
Ohhh, it's been a while and that felt GOOD.


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Employee wrote:Is your brain wooden like your dirty British teeth?
When the effword did "wildly overrated" become synonymous with "GETZ PLAY AWN DAH RAYDEOH LYKE TAYLAH SWIFHTZ"?
It's not that I think Ka is garbage, quite the contrary. However, what I was trying to say is his music is kind of in its own space, it doesn't usually vibe well when mixed with any other rap. That's why I was saying that you really have to be in a specific mood to listen to his shit. Btw his insistence on rapping over beats with no drums doesn't help matters at all...J_Preme wrote:Ka dope ... if anyone not feelin' his vibe just move on to the next wave of talent ... its that simple .. i never really understood a person who's views are "ehhhh..." Personally for me, If its wack, im not wasting keyboard characters to showcase that .. i just move on...
J_Preme wrote:Ka dope ... if anyone not feelin' his vibe just move on to the next wave of talent ... its that simple .. i never really understood a person who's views are "ehhhh..." Personally for me, If its wack, im not wasting keyboard characters to showcase that .. i just move on...
I wouldn't say that. His background is unique and his discography so far has been consistently solid. I'd like him to diversify the sound of some of his work, but can definitely see him continuing his career for the foreseeable future.Employee wrote: Juice boxes and safe spaces are not the route to the effective analyzation of an artist or their art. While you absorb your Tears of a Crocodile on your Ka hoodie you should, if possible, simultaneously consider another possibility: other people have opinions that they have formed via their own thought processes that might disagree with yours.
Ka isn't really an endearing Rap character or figure; he's largely a byproduct of a wave that is or will soon be fading: the guys that are good enough to rap, but who cannot quantitatively carry on a career. That's not shitting on them anymore than it is me acknowledging that I will never play in the NBA. "Thread Count" off Reloaded is a prime example of what I am talking about: he is overshadowed by Marci who is superior in every category. And its not a bad cut by any means; however, it is deeply illustrative of Ka's limited abilities to control a track or effectively capture one's attention. That was, like, six years ago, dude: he's not blowing minds anytime soon.
No chance does that compare to Marcberg or Reloaded. It's a great album, but it's not a classic.unclebengi wrote:Ka is a national treasure and Grief Pedigree is the best album of the last 10 years, it's aged extremely well and will continue to because nothing before or since sounds like it.
I don't play Ka on shuffle or mix his songs into playlists and I have no desire too. It's like listening to Jazz. I love Jazz, I listen to full albums when I do...But I've found I've listened to a lot less Jazz in recent years, and I'm sure a lot of that stems from being in the mood for Jazz but choosing to listen to Ka instead. I'll never listen to Ka as much as I listen to most of my other favorite artists because it's not whip music, but that doesn't take away from his greatness. He's never made a bad song and he delivers each and every album with the detail and care you expect...and he produces most of his albums, and he directs videos, and he's a firefighter. He puts you to sleep, fine, your loss. His music career isn't going anywhere and neither is his loyal fan base.
All of this. In fact, I'd imagine that in the current climate, with dudes willing to shell out over $40 for six-song cds by Tha God Fahim, Ka stands to be more successful than ever.unclebengi wrote:Ka is a national treasure and Grief Pedigree is the best album of the last 10 years, it's aged extremely well and will continue to because nothing before or since sounds like it.
He's never made a bad song and he delivers each and every album with the detail and care you expect...and he produces most of his albums, and he directs videos, and he's a firefighter. He puts you to sleep, fine, your loss. His music career isn't going anywhere and neither is his loyal fan base.
I'm finding the key to be editions of 500 or less, even better if it's 100/200 or less. First thing I flipped was the WSG- Roses are Red 10". The red was limited to 87, black 100. I bought one of each for less than $30 a piece when they dropped and just sold the red for $175. I have an extra unopened Dour Candy vinyl that I'm selling for $150. Both of these have sold days after I first listed them among a handful of other records I just posted.Rhyme 4 Rhyme wrote:Is that successful? Albums like Roc's limited edition vinyl for RR2, and all these limited editions that Muggs has put out barely sell out.